Scripts

"Four Legs, Four Arms, and Two Faces" is a full-length musical exploring the concept of soulmates through the journey of Myles and Noah, two high school seniors whose bond mirrors the ancient Greek myth of humans once whole, split by the gods, and destined to seek their other half. Their friendship is tested by personal struggles, family tensions, and societal expectations, forcing each to confront inner fears and insecurities. As their lives take a tragic turn, Myles must grapple with loss and memory, leading him on a journey of rediscovery and healing. Through nostalgic flashbacks and an emotional time-travel twist, Myles revisits his past in an attempt to prevent Noah’s fate, underscoring themes of love, friendship, and the power of second chances.

In "Never Have I Ever," three college friends—Jake, Linda, and Ashley—find themselves trapped in an abandoned cabin in Kurtz Town, New Hampshire, during the fall of 2023. The trio decides to play a drinking game of "Never Have I Ever," but the night takes a dark turn when they receive news that a classmate's body has been found, and supernatural elements begin to interfere with their game. As tensions rise, suspicions emerge, revealing secrets and lies among the group. The situation escalates into a deadly confrontation, leading to one of three possible endings depending on the audience's choice, each revealing a different character as the murderer. The play concludes with a twist, as the news reports the capture of the supposed killer, leaving the true nature of the events ambiguous and chilling.

"Brewing Change" narrates about Maria, a dedicated barista, who struggles to save her family’s café from being sold to a developer. With the help of Lucas, a writer, they transform the café into a cultural hub by involving local artists: Claire, a painter; Marco, a street musician; and Sophie, an actress. Together, they preserve the café’s legacy while revitalizing it for the future, balancing tradition with the need for change. The play concludes with the café thriving as a vibrant community space.

"EVIL GOOD" is a play centered around Jonna, a high school student who struggles with the pressures of academic and personal expectations. Jonna is constantly influenced by two inner voices: "Evil," his erratic and volatile conscience, and "Good," his positive and moral guide. The play explores Jonna's internal moral battle as he faces various challenges, from taking a math test to deciding whether to use AI to cheat on an essay. As Jonna grapples with his self-doubt and fear of failure, he eventually realizes that these voices, though conflicting, are all parts of himself. The play concludes with Jonna coming to terms with the fact that his internal struggles are a natural part of who he is, offering a message of self-acceptance and resilience to high school students facing similar pressures.

“Hour Minus One” examines how people confront their true selves when faced with the end of the world. In a cabin with only an hour left to live, five college students, including Brad, the privileged "nice guy," and Amon, who feels overshadowed, unravel under the pressure. Amon accuses Brad of masking his privilege with fake kindness, sparking an intense exchange where Brad's usually composed persona shatters, revealing deep-seated anger and frustration. As tensions rise, each character’s insecurities surface, suggesting that the impending apocalypse strips away their facades and forces them to confront who they truly are. The play raises the question of whether facing the end brings out one’s authentic self, ending in quiet uncertainty as the anticipated disaster never comes.